At the heart of any successful, and memorable, landscape shot is composition. Without taking time to get this key element right, what you might perceive to be a classic shot of a sweeping landscape scene may be just plain boring to the viewer. One of the photographer's main responsibilities is to use principles of composition in order to lead your viewer through the image, and hold their attention. If you are new to photography, or thinking of taking a photography course online, the following information will help you understand how a viewer sees your landscape photograph.
Generally speaking, when you look at a picture your eyes will seek out certain elements in order. Firstly, they will look for the brightest part of the scene. So if you have a bright blue sky, for example, this will be noticed first. Similarly, if a setting sun is lighting up the last vestiges of dusk, the eye will be drawn here first. Next, the element of sharpness is noticed, such as some craggy rocks clearly in focus placed within your foreground. Blurred areas will not be so noticeable. Lastly, vivid colours will be sought out, over any dull, lifeless shades.
The rule of thirds is relatively easy to apply, but can be a powerful element that distinguishes a great photograph from an ordinary one. You simply imagine your viewfinder image divided into nine equal sections, using two horizontal and two vertical lines. The key then is to place your main subject at, or close to, one of the intersecting points. You will observe, if you compare this to an image with the same subject at the centre of the frame, that the former produces a much more memorable, and interesting, picture. This works because the viewer has some space to move within the image.
A second rule of thirds concerns the horizon. Generally speaking, it is best to have the horizon placed one third from the bottom or top of the frame - along, or close to, one of the imaginary intersecting lines. This gives a sense of importance to the horizon, which is not achieved if placed halfway up the picture. A decent photography course online will provide further training in using the rule of thirds in other types of photographs.
Finally, it is important to introduce depth, to make your two-dimensional image have a three-dimensional feel. To achieve this, you need to give the viewer's eyes a foreground, middle and background to travel around. So, for example, you could place a tree in the foreground (placed at one of the intersections mentioned above), some rolling, shadowy hills behind, and a bright blue sky above. The horizon of hills and sky could be two-thirds up the picture.
Experiment using these principles of composition and you should see that your images take on a much stronger look. Remember what the viewer will, almost subconsciously, be looking for - and give them what they want. I applied these principles when I first took a photography course online and my images improved in leaps and bounds. Hopefully, yours will too.
Generally speaking, when you look at a picture your eyes will seek out certain elements in order. Firstly, they will look for the brightest part of the scene. So if you have a bright blue sky, for example, this will be noticed first. Similarly, if a setting sun is lighting up the last vestiges of dusk, the eye will be drawn here first. Next, the element of sharpness is noticed, such as some craggy rocks clearly in focus placed within your foreground. Blurred areas will not be so noticeable. Lastly, vivid colours will be sought out, over any dull, lifeless shades.
The rule of thirds is relatively easy to apply, but can be a powerful element that distinguishes a great photograph from an ordinary one. You simply imagine your viewfinder image divided into nine equal sections, using two horizontal and two vertical lines. The key then is to place your main subject at, or close to, one of the intersecting points. You will observe, if you compare this to an image with the same subject at the centre of the frame, that the former produces a much more memorable, and interesting, picture. This works because the viewer has some space to move within the image.
A second rule of thirds concerns the horizon. Generally speaking, it is best to have the horizon placed one third from the bottom or top of the frame - along, or close to, one of the imaginary intersecting lines. This gives a sense of importance to the horizon, which is not achieved if placed halfway up the picture. A decent photography course online will provide further training in using the rule of thirds in other types of photographs.
Finally, it is important to introduce depth, to make your two-dimensional image have a three-dimensional feel. To achieve this, you need to give the viewer's eyes a foreground, middle and background to travel around. So, for example, you could place a tree in the foreground (placed at one of the intersections mentioned above), some rolling, shadowy hills behind, and a bright blue sky above. The horizon of hills and sky could be two-thirds up the picture.
Experiment using these principles of composition and you should see that your images take on a much stronger look. Remember what the viewer will, almost subconsciously, be looking for - and give them what they want. I applied these principles when I first took a photography course online and my images improved in leaps and bounds. Hopefully, yours will too.
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